For recording artists

Every recording you put out generates royalties on two sides — the master and the underlying composition. Veriti tracks both.

What you get

Sound recording royalties — what the DSPs paid your distributor for streams of your masters. Today: DistroKid auto-fetch; next: TuneCore, CD Baby, Amuse, Landr.
Neighboring rights — what Gramo (Norway), PPL (UK), SoundExchange (US), and equivalents collect when your recording is performed publicly. This is real, separate money that most artists never claim. Coming soon.
Publishing side — if you wrote (or co-wrote) the songs you record, there's a whole second royalty stream flowing to your PRO. Veriti shows you what TONO/CISAC has and what should be there.
Per-track × store × country × month — drill into any recording to see who paid you for what, where, and when.

Connect DistroKid (or any distributor we support) with your login. One time. Captcha and 2FA handled.
Veriti auto-fetches your latest earnings CSV on every Sync, parses it, and stores per-track precision (we keep 12 decimal places — those fractions of a cent add up).
Each recording is matched by ISRC against your Spotify scan + your TONO works. Anything DistroKid paid you on that ISN'T in your catalog gets flagged as "unmatched" — money you're getting paid for that Veriti can't place yet.
Click any track for a per-store, per-country, per-month breakdown.

Closed beta: free. See pricing.