About

The problem

Every year, hundreds of millions of dollars in royalties get collected on behalf of artists, songwriters, and composers — and never reach them. The industry calls it the "black box" and treats it as a structural fact. We treat it as a data problem.

The black box exists because the publishing side and the master side run on different identifiers, different reporting cycles, and different collection bodies. ISWC and ISRC are two letters apart on the keyboard and worlds apart in practice. CISAC, MLC, NCB, Gramo, PPL, SoundExchange, and every PRO have their own formats. Distributors hand you a CSV in one shape; your PRO sends you a PDF in another. Nobody reconciles them. The gap is where money gets lost.

What we're building

Veriti is a single dashboard that pulls every revenue stream into the same view, identifies missing or misregistered compositions, and surfaces the specific actions that turn the unmatched portion into actual income.

We're not a PRO. We're not a distributor. We don't collect your money — your existing PROs and distributors keep doing that. We just make sure none of it falls through the cracks.

Who's building it

Veriti is built by a small team in Norway, in close collaboration with working songwriters, producers, and composers. The company is Veriti Music Technologies AS, registered in Norway.

Why this, why now

DDEX, ISWC standardization, and modern data tooling have only existed in their current form for a few years. The bottleneck isn't technology — it's the cost of cross-referencing fragmented data across dozens of systems. With infrastructure prices collapsing and AI-assisted matching getting reliable, what used to be a labor problem is now a software problem.

Get in touch

Contact us if you'd like to try the beta, share data about your own black-box problem, or ask anything we've glossed over above.